Beginning in 2004, Bryan Lee O’Malley began a 6-volume anime and video game-based graphic novel saga titled Scott Pilgrim. The character’s name came from a single by the rock band Plumtree, and O’Malley took the idea of a guy who “fights you for a thousand years” and turned it into a manga-styled comic set in Toronto, Canada. The book series gradually gained great success over the years and as it continued word of mouth helped it became a cult phenomenon. Then in 2010, a live-action movie based on the comic was released by Edgar Wright, the mastermind behind the Three Flavors Cornetto trilogy, featuring an all-star cast with Michael Cera as the title character. The film wasn’t the blockbuster most people wished it was, but if did become a sleeper hit over the next few years, which included a hit video game incorporating elements from the movie and comic as the two storylines are moderately different from each other since the movie came out a month after the comic had concluded. Zoom to 2023, and Netflix airs a genuine anime series of Scott Pilgrim Takes Off that most thought was going to be a straight up adaptation of the comic, but in fact it diverges from the original path and goes in a totally separate direction which seriously split fans down the middle. The production was largely crafted by Dandadan’s studio Science Saru and featured dazzling animation that honors the original comic style plus acts as a reflection of early-2000s pop culture.
Scott Pilgrim Takes Off was a limited series of just 8 episodes which slightly works against it as it would have benefited from having an extra episode or so. The original story has Canadian youth Scott dating the new girl in town, Ramona Flowers from America, and he must defeat Ramona’s seven former lovers called The League Of Evil Exes, although this is happening while Scott is also quasi-dating a teenager named Knives. Scott fights against one or two in each volume of the comic and eventually wins the right to be her lover. The anime starts out retelling the original story and then takes a sharp turn from the source material and has Scott losing the fight to Matthew, Ramona’s first boyfriend, but Ramona doesn’t believe Scott is dead, so she tracks down all her exes to see who was behind Scott’s disappearance. This highlights the background of the League and how Ramona was partially at fault for them eventually becoming a supervillain team, plus it gives the other supporting characters time to expand their horizons and find out what kind of world they would live in if this key role in their lives were removed. It all comes together in the last 2 episodes where we learn that Scott was really taken into the future by his older self and we are given a lot of exposition behind Scott’s disappearance, so Scott himself is largely left out of his own anime if you’re not counting Even Older Scott who levels up to Dragonball Z status and can defeat the Evil Exes at once, and still keep up with his younger self. The series could’ve used at least one more episode to give the main character a little more time to shine and to make the anime somewhat appealing to anyone who hadn’t come across the comic or movie first.
Science Saru combined their fast-paced hand-drawn animation with CGI for this anime. For better examples of this watch either the movies Riding Your Wave, Inu-Oh, or The Colors Within, all of which utilize various styles of animation that will remind you how groundbreaking anime like FLCL earned its mark, even better than the other FLCL remakes. A few other TV series that Science Saru also applied this special technique to are Devilman Crybaby, Adventure Time, Star Wars: Visions, and the recent Ghost In The Shell remake. Their idiom works like peanut butter and jelly when bringing Bryan Lee O’Malley’s art style to life. This was another attraction to the production as the original character designs from the comics were united with Science Saru’s sensibilities resulting in a winner combo. There is no doubt that Scott Pilgrim Takes Off is a legitimate anime as it was specifically produced first for Japanese language as the dub doesn’t totally fit the mouth movements of the English cast. The anime also managed to get all the original actors from the movie to reprise their roles for the English dub, and these are not smalltime names like Mary Elizabeth Winstead, Chris Evans, Brie Larson, and Aubrey Plaza, so it shows how devoted the cast was to this project.
The anime also had a new story by O’Malley along with screenwriter BenDavid Grabinski. For a long time, O'Malley didn’t just want to do a soulless remake of the comic, so instead he borrowed an idea from Marvel with their What If stories by taking the basics of both the comic and movie and diverted it into a literal alternative timeline. Scott’s older self brings his younger self into the future, so he won’t eventually get married to Ramona and separating years later which sends him into a spiral of depression. O’Malley did update a few things to the script, most of which involve completely rewriting the backstories of some of the Evil Exes, specifically Gideon Graves who was really an old schoolmate of Scott’s antagonist Julie. Plus, the turn of taking the lowest member of the Evil Exes and having him defeat Gideon in the second episode and getting his entire corporate empire. The Exes also get their roles expanded and are not just level bosses, and along with way we learn that Ramona wasn’t totally free of being kind of evil herself when it came to handling her exes. When Ramona can detach herself from the rut her life had become and confront her past lovers she learns more about herself. This redoes Ramona from being the manic pixie dream girl the movie painted her out to be as she takes responsibility for her actions and finds a new purpose as a stunt girl.
Like the movie, Scott Pilgrim Takes Off hosts an awesome soundtrack, most of which was performed by Anamanaguchi, an 8-bit rock band that provided the music for the video game based on the movie, plus its recent sequel game, Scott Pilgrim Ex which acts as a follow-up to the anime. The soundtrack also houses great covers of geek songs like Konya Wa Hurricane from Bubblegum Crisis, and the Mortal Kombat theme with new lyrics to fit the anime cast. The best are the new songs by Scott’s band Sex Bob-Omb with his former girlfriend Knives turning out to be a musical genius and joins the band as a keyboardist. This helped the show become the first anime to be nominated and win the Critic’s Choice Award for Best Animated Series.
Speaking as a fan of Scott Pilgrim whose been reading this since the first volume was released in paperback, the anime was the best possible detour that proves that a premise can be stretched across several formats. If you include the video games, this is a multimedia saga that still has room for more. Hopefully it won’t get too excessively pointless reboots like “Lil’ Scott Pilgrim” or “Scott Pilgrim In Space”. This anime though lives up to all expectations for any other fans of the comic or movie, plus a brilliant throwback to garage band music and underground comics that spawned in the late 90s. Oh, and if you’re a retro-gamer, you’ll find far more treasures here than in Ready Player One or any of the Tron sequels. So, if you can put your inner bickering fanboy on hold for a few hours and just sit down and enjoy a great Netflix binge, then you’ll find it was all really worth it.

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