ANI-MOVIES, *Predator: Killer Of Killers

After 5 live-action movies and 2 crossover films, we finally get a full-length feature of the Yuatja. Predator: Killer Of Killers follows the path that The Animatrix and Batman: Gotham Knight did before it and took an established media franchise and made an anthology movie about it with most of the stories tying together into a single narrative at the end. We've seen this before in other productions like Halo Legends, however this one is actually canon to the Predator series, either that or its in a parallel universe. This was directed by Dan Trachtenberg who had already done Prey, and then followed that up with Predator: Badlands, plus he wrote the screenplay for this with Micho Robert Rutare. 20th Century Animation created a gorgeous production, although the constant low frame rate is getting a little tired with every animated movie trying to keep up with the Spider-Verse movies.

The first chapter is The Shield where the viking warrior woman Ursa takes her son on a quest to avenge her father's killer, only to be interrupted by a Predator, and she is taken prisoner by the other Yuatja after killing the alien hunter. Next is The Sword about the samurai Kenji who has a duel with his brother to settle a decades-long feud over their father's armor, but they end up working together to stop another Predator with Kenji's brother dying to save his life, although Kenji himself is also collected by the Predators and put on ice along with several other humans for centuries. The third story is The Bullet which is a WWII tale where a young American pilot named Torres manages to shoot down a Predator airship only for himself to later get abducted sometime after the war. All three heroes are awakened on a different planet where they all have to fight to the death to have the honor of taking down a Predator champion. However, the trio of Earthlings ally themselves to escape on a spaceship, but only at the sacrifice of Ursa becoming a captive again. The film ends with some other Yuatja taking some frozen leftovers from past Predator movies hinting that there will be a big future team-up for survivors in another installment.

As a Predator movie, this was pretty good, but as an animated action flick it's a little below average with its graffiti-styled graphics. The action is turned up to 12 compared to the other Predator films, but that's mostly when the humans are fighting other humans, with the viking chapter being especially gory, although that might have been the reason this didn't get a theatrical release and went straight to streaming. Pred-Heads will more than likely get their blood pumping on this, but it doesn't have the lasting power of the previous good Predator movies.

BNA: Brand New Animal, The Pre-furred Choice

After SSSS: Gridman, the studio Trigger did their next original work directed by Little Witch Academia creator Yoh Yoshimari. BNA: Brand New Animal is a new take on the “animals living in the same city” that Zootopia made a bundle on. The downside to this is most anime fans initially saw this as a rip-off of Beastars, so it didn’t receive the attention it needed. This was written by Kazaki Nakashima that also wrote for Getter Robo, and the Batman: Ninja movies. BNA was a limited series, only 12 episodes long, but it got in, told an entire story, and got out in record time. The anime premiered on Netflix in 2020 along with a light novel and a one-shot manga. The show initially prospered when it premiered, although its fandom has settled down over the years, even among furries.

Set on an alternate Earth where certain humans are called beastmen because they can take on the form of an anthropomorphic animal. Humans and beastmen have been living together for thousands of years, but beastmen are trying to have their own town in Japan named Anima City in Japan, because that’s the only country that takes in this kind of messed up metropolis. This was established because beastmen receive discrimination and need a haven to thrive. The Japanese government agreed to this to keep beastmen away from human population.

The story stars young basketball fan Michiru who has somehow become a beastman, specifically a tanuki also referred to as a raccoon dog which according to Japanese mythology are trickster creatures with the ability to shapeshift. She darts to Anima City to seek refuge and a cure for her case which is called beastmanitis. Upon getting there, she comes across the stoic wolfman Shirou who is a special agent for the mayor that helps Michiru gain her citizenship. While getting used to her new home, Michiru discovers that she can morph parts of her body into different animal parts, such as wings, gorilla arms, and her tail can be used as a cushion for rough landings. These new abilities help her locate her missing friend Nazuna who also got beastmanitis and is currently acting as the idol for a religious factor called the Silver Wolf cult who worship a mystical giant wolf that has appeared throughout history to help beastmen. The true antagonist is Slyvasta whose pharmaceutical company is secretly working on an anti-beastman formula to permanently turn all the beastmen into regular humans.

Trigger brought their A-game when they were making BNA. There is fast-paced action and sparkling animation with literal sparkles, plus explosive colors. The characters in both humans and beastmen stand out and are particularly sharp and angular. The designs vary between sharp and lean but can change to being either musclebound hulks or cute fuzzy children. You can see a lot of the effort that was used to make productions like Promare and Gurren Lagann so iconic.

Comparisons of BNA to Beastars were inevitable as both shows feature life in a city full of anthropomorphic animals, although Beastars was set within its all-furry world, whereas BNA shares its world with the rest of humanity. Beastars social division stems from carnivores and herbivores trusting one not to eat the other, of which Zootopia also shares some aspects. BNA represents a more relatable discrepancy as the human prejudice for beastmen is clearly meant to replicate discrimination between races, sexes, and gender. Anyone who has any idea of the X-Men can see the similarities between the plight of mutants and how the beastmen are treated by humans. The animosity humans have is partially out of fear, but mostly due to them seeing beastmen as not even human but lower lifeforms.

When BNA first aired, Netflix premiered the first 6 episodes, with the remaining finishing out the series a few weeks later, and there is a tone shift with the second half where it gets deeper into political intrigue and government conspiracies. Instead of exploring Michiru’s transformation into a tanuki girl, the concluding episodes get bogged down in the doctrine of the Silver Wolf and how religion can be a double-edged sword giving people faith but also making them too reliant on what they believe and how they have trouble dealing with the reality of a critical situation. It’s possible that an extra episode would’ve given BNA enough room to lay out all its racial and religious allegories while showing the everyday life of an actual community of furry people.

BNA is an anomaly among Trigger’s productions like Kill La Kill as it steers away from a few anime tropes like gratuitous fan service or Dragonball-level fights, even though there is a big battle between two kaiju-sized wolves, one of which even has three heads like Ghidorah. There’s plenty to enjoy in this and the plot does move along swimmingly, although it has much more backstory and world building than a 12-episode series could handle. If this anime was given another season, it would have been able to accomplish what it set out to do. Michiru’s childhood friendship with Nazuna was borderline sapphic in the beginning, but we see that there was a bigger chasm between the two characters thus making any lesbian fangirls disappointed. Over the course of the series, you are given a satisfying watch with a fun anime with dynamic animation, but you’ll also feel a little left out as there was clearly more to this brand-new world than what we got.

MISC. MANGA, *Grendizer U: The Inception

Acting as the third stage of Go Nagai's Mazinger franchise, Grendizer (also known as Grandizer) took the giant robot epic to the stars and became a space opera up there with Captain Harlock and was so popular that it ended up in the Shogun Warriors toy line, plus the anime was part of Force Five. There is a Grendizer anime and manga that ran in the 70s, and then it was given a reboot in 2024 with a simultaneous anime and manga called Grendizer U, and the manga is titled Grendizer U: The Inception which takes place before the TV series. It's hard to say that it's a "prequel" per say as it was released at the same time as the anime. Go Nagai wrote this new interpretation and it was illustrated by 8 Key, although it's American release was by Titan Manga who instead of releasing a full-sized novel came out with a light thin book for the same price as a standard published manga.

The corrupt Vega Alliance has conquered a good portion of the galaxy along with the planet Fleed. Duke is a prince of the empire, and he is coming of age to take charge of the powerful robot defender Grendizer, but his right of succession is being blocked by his best friend/rival Gau Su, so the two of them have a duel to inherit the tile of official mecha meister. Gau Su wins the match by cheating and leaves Duke for dead as he takes Grendizer, but Duke survived and learns that his father the king caused the death of Gau Su's father. Duke reunites with Gau Su and vows to help him fight against the king, but an accident causes Gau Su to perish and Duke winds up on Earth with no memory of his past. Duke was conveniently found by Koji Kabuto, the pilot for Mazinger Z, along with fellow mecha driver Sayaka. They ask Duke to be part of their team even though he doesn't currently have robot of his own, but anyone reading this will figure out that he'll eventually get Grendizer back and help out in defending Earth.

The manga has a decent start, but the opening chapters take place on an alien world, and then the plot is dropped into the storyline of an adjacent mecha series, so there's a massive tone shift. 8 Key's artwork isn't as hard edged as Go Nagai's original art from the 70s, but it is effective for the first few chapters. Titan Manga's translation seriously lacks any emotion to it and needed some spicing up. Once more volumes of this comes out it will hopefully bear better fruit.

ANI-MOVIES, *Madagascar

After Schrek became a mainstay for DreamWorks, they were looking for their next cinematic franchise. In 2005, the first Madagascar film was put in theaters to a rising victory. Even though it's an original story, the concept borrowed quite a bit from various classic cartoons, specifically Tennessee Tuxedo and Hair Bair Bunch, plus plenty of callbacks to Looney Tunes. The conceprt was about zoo animals ending up in the wild, which turned out to be such an original idea that a year later Disney came out with their own hideously animated movie titled The Wild. The characters have a specific angular design to them which is a fresh take instead of trying to make them match an established motif. One thing that the film keeps dragging its feet over is the constant barrage of pop culture references, and the soundtrack is littered with incidental jukebox music. However, as an animated family film, it does reach what it's going for.

A quartet of animals at the Central Park Zoo in New York City are all buddies who despite whatever natural tendencies they have are all friends. The lion Alex is the zoo's star attraction, and his neighbors Gloria the hippo, Melman the giraffe, along with zebra Marty whose 10th birthday makes him wish to see what life is like outside the zoo. After four penguins plan to bust out of their captive habitat, Marty gets the idea to also go see the great wild world, so he takes a stroll out on the town, with his friends chasing after him which gets them all deported. The penguins take control of the freighter which lands the main characters on the coast of Madagascar, thus finally living up to the movie's title. After being greeted by a tribe of lemurs lead by the charismatic King Julien, the zoo castaways decide to stay, although this new change of scenery doesn't help Alex's carnivore cravings. The penguins eventually turn the freighter around to Madagascar and help introduce Alex to seafood which cures his want to eat his friends and seeing everyone as talking steaks. They all plan to head back to New York, although the film ends with no functioning ship to make the journey home, so that's where the sequels come in.

Madagascar lives up to its name for the second half of the movie, although it could've been titled something a little closer to the story like Zoo Break. The casting is on point, even if most of the actors were high profile stars at the time this came out instead of standard voice over veterans. The film contains vibrant animation, although the human designs look like rejected background characters from the first Incredibles movie. The entire film is an homage to spastic golden age cartoons in the spirit of Tex Avery and Chuck Jones, so old school toon fans should appreciate it, and it's a great film for kids.

ANI-MOVIES, *Appleseed Ex Machina

Appleseed was the second of Masamune Shirow's manga that got anime adaptation back in 1988. Shoot ahead to 2004 and Genesis Survivor Gaiarth director Shinji Aramaki took the reins of an all-CGI animated movie remake. Despite the dated cel shading, this Appleseed was successful enough to get a sequel in 2007 by the same studio Digital Frontier. Appleseed Ex Machina had the additional bonus as being the only animated production by action film guru John Woo, and they let you know that at the beginning of the film with a flock of doves. The animation got an upgrade, even though it still maintains that mid-00s 3D which crosses the border between great looking action but uncanny valley.

Taking place two years after the original film, mankind survived a global war by creating huge metropolises made up of not only humans, but cyborgs, and bioroids that are artificially created humanoids with enhanced abilities. One of these cities is Olympus which is threatened by terrorists, so to combat this is the special E-SWAT force, two of its officers are from the last movie, the nimble lady Deunan and her giant cyborg partner Briareos who fought by her side during the war before he lost most of his body. Briareos is taken out of action after a hostage situation, so Deunan is temporarily teamed up with Tereus, a bioroid made from Briareos' natural DNA. So, now there's a slight love triangle going on with Deunan's devotion to her true partner who happens to be a big hunk of metal, and the new guy with the same looks and behavior of the man she knew before his accident. An underground organization called Halcon threatens to destroy Olympus as they planted nanites in the latest mobile devices that mind control its victims. Halcon plans on taking control of the world's satellites to subjugate the planet, so Deunan along with her old and new partner have to launch a Matrix-styled assault on the Halcon headquarters filled with flying robot drones.

Appleseed Ex Machina is a step up for a cyberpunk feature finally bringing some high-octane action to the mix and abandoning the heavy exposition that weighed down the 2004 movie. It's clear that Shinji Aramaki borrowed a little from the Wachowskis when he turned up the volume on the fight scenes, however you still get a gratifying feeling after watching it. The best thing about this movie is that you can see it on its own without seeing the original, in fact it's probably better if you don't. Aramaki followed this up a few years later with a pseudo-prequel titled Appleseed Alpha which was more of a post-apocalyptic flick instead of a cyberpunk thriller, but you could also skip that and just enjoy this one.

MISC. MANGA, *You & Me

Most American otaku from the 90s might be familiar with Hiroshi Aro's manga, Futaba-Kun Change, which was a gender-bending madcap comedy done as an homage to Rumiko Takahashi's Ranma 1/2, but one of his other titles managed to briefly appear on American bookshelves that also honored Takahashi's work, You And Me which was his own take on Maison Ikkoku. Hiroshi Aro has had the entirety of Futuba-Kun Change available in English on formats like Kindle, but You And Me only got seven single issues with no collected paperback when Studio Ironcat translated it in 2002 as the company eventually went defunct under the label IC Entertainment. The original Japanese title for this was Yuu And Mii which of course means "you and me", and oddly enough there is an unrelated manga titled You And Me, Etc., but this version is more of a fast-paced gag series filled with a constantly moving parade of mature situations.

Yuu is what's referred to as a ronin which is someone who has troubling getting into a university, so he moves into his own apartment to concentrate on studying, however his apartment building called Yaninarisou is filled with the peak of strange neighbors. For one thing, Yuu discovers he has a roommate named Mii who is the ghost of a sexy girl that doesn't mind randomly getting naked. Among the other spooky inhabitants are a musclebound shojo manga creator, a creepy loner who longing to make friends, another ronin who truly needs a haircut, an ex-masked female wrestler, and the landlord who always wears midieval armor. Mii takes a serious liking to Yuu and makes his life even more hectic than a teenage ronin could normally handle. From here, Yuu tries to keep his sanity while studying for college, fending off his horny dead roomie, and the other weirdos in this supernatural looney bin.

You And Me is on its own a spastic comedy that never slows down to get into anything deep like character backstory, so it's pretty good for today's swipe left generation. Other historical gag manga like Dr. Slump and Crayon Shin-Chan have gained fans over the decades, but they also had popular anime to back it up. You And Me is one of those lost manga that saw a glimpse on the other side of the Pacific which never got a good enough chance to develop a following.

R.I.P., Daveigh Chase