From the 17th Century book of Wu Shuang Pu, the story of Hua Mulan has endured for centuries, so since Disney was looking to making their next features more appealing to Eastern audiences, they thought this story willed fit the bill. Former Hanna-Barbera animator Barry Cook and one-time Ralph Bakshi assistant Tony Bancroft both directed Mulan in 1998. For a saga that spans over a decade, the film tightens it up to an 88-minute-long feature too overloaded with comedy to be considered an epic adventure. Not winning any Oscars, Mulan did become a big hit with Millennials and eventually Gen-Z children. Despite the gender-bending qualities of the story, it didn't exactly become the pinnacle of trans representation you would expect, even though Donny Osmond's contribution to the soundtrack practically became an LGBTQ battle cry. The success of it went on to a made-for-video sequel plus a completely irrelevant live-action remake that nobody asked for. Mulan herself was of course drafted into the unconnected Once Upon A Time series, as well as being added to the Disney Princess line-up even though she's not a princess, this was despite the fact that the title character is rarely the focus of the story, similar to Snow White and Sleeping Beauty. A good portion of the plot is enraptured with the comic relief and side characters, so the comedy distracts from the coming-of-age war story it could have been.
Taking place during the 4th-6th Century in China, the Hun army led by the ruthless Shan Yu invade mostly because he hated the fact that they put of the Great Wall just to keep him out. All the active males are to be enlisted into the Imperial Army, but the head of the Fa family is still suffering from an old wound, so his rebellious daughter Mulan takes his armor and pretends to be his son Ping. This doesn't set well with the Fa family ancestors who plan to send a powerful dragon spirit to help her, but the demoted jive-talking minor dragon Mushu uses this as a chance to earn his spot back among the guardian spirits. Mushu and a lucky cricket eventually catch up to Mulan and help her blend in with the other men, especially with the Captain Li Shang and three of the more stooge-like soldiers. Mulan manages to keep her secret up until an encounter with the Huns on a mountaintop has her burying the entire enemy army under an avalanche, and her wound caused her comrades to discover her feminine side, so she is sent home by Li Shang without being reprimanded. Shan Yu and a few of his stronger men survive the snowslide and plan on sneaking into the imperial palace and kidnap the emperor which Mulan notices. She tries to get her former comrades in arms to believe her about the incoming danger, but they brush her off, so Mulan stops the remaining Huns and blows up Shan Yu in an explosion of fireworks. Mulan is praised by the emperor and has Li Shang follow her home because they never really set up a romance between the two of them.
Mulan seems like it should fit into Disney's blockbuster roster, but even the famed Szechuan Sauce can't erase many of its blatant faults. The soundtrack is limited with only 4 songs for a picture that is billed as a musical, and only one of those is remembered for Disney fans to sing loudly at convention karaoke sessions. The characters are interesting, but the main character is drowned out by the extended cast, so since this is Disney heroine that already had two animal sidekicks, the addition of her knucklehead trio of army buddies and the bickering bureaucrat outweigh any potential that Mulan might have earned on her own, but at least she didn't have magic powers in this version. The cast is decent with regular voice actors such as James Hong, George Takei, and June Foray, plus Ming-Na Wen makes her animated premiere here as Mulan, but the outplaced Eddie Murphy and several other Chinese characters being played by white actors doesn't help. The breakout of the film is the animation which was the first movie to be completed in the Walt Disney World studio as opposed to in Hollywood. Mulan on its own works as a single feature but trying to make a cheap sequel and a flimsy remake stretched its credulity.

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