ANI-MOVIES, *Batman And Superman: Battle Of The Super Sons

Not set in their current Tomorrowverse, the latest release from the DCU animated line of original titles is an attempt to appeal to newer fans by introducing what originally began as DC's original version of Marvel's What If? with an imaginary timeline where Batman and Superman's sons were Batman Jr. and Superman Jr. The "Super Sons" were reinvented into the New 52 comics as a time-displaced Superman and Lois had their own son from a parallel universe would team up with the current Robin who here is the biological son of Batman. Battle Of The Super Sons is the very first DCU animated feature that was produced totally in CGI, or at least one not based on a Lego toy.

Set in a modern version of current day DC Comics, Superman's kept his identity secret from his Jon, until on his birthday when his half-alien super powers finally kick in. Superman takes Jon to have the Dynamic Duo give him a physical where Jon is introduced to Batman's son Robin, aka: Damian Wayne. Whether there were any other Robins prior to him is never stated, but Damian's spoiled ninja overlord upbringing has alienated him from the younger heroes like the Teen Titans. Meanwhile, a stowaway from Superman's homestead Krypton makes its way to Earth as the alien body-possessing giant starfish calling itself Starro who replicated millions of spores to control the world's heroes. Damien breaks away from an attack of by his brainwashed father to enlist Jon's help, even though his super powers aren't totally up on his father's caliber. The Super Sons have a showdown with the possessed Justice League from their satellite where Starro is waiting for them, and the boys also have to take on their own dads to fry the starfish's plans for universal domination.

The use of 3D animation does function believable enough throughout the feature, but it does loose some of its quality for some of the scenes, like anything with Superman flying or most of the fight scenes are satisfactory, however footage where the characters are just standing around giving superhero quips tends to drag on. The premiere of this version of "Superboy" is well done, but Robin's arrogance is cranked up to 11 to make him even more unappealing as possible while not even showing up in the movie until nearly halfway through. The voice acting is enjoyable with Shazam's Jack Dylan Grazer as the fresh faced Jon, although Travis Willingham's Superman does it with far more bass than needed. It is a less annoying DC animated outing from titles like Legion Of Super Pets, even if some of the stereotypical teenage angst shows it mark near the beginning.

That moment when you realize the Jem show had one of the only genuine series finale to an 80's cartoon!

Obscure O.V.A., *eX-Driver

Kosuke Fujishima was the creator of the automobile centric manga, You're Under Arrest, which went into the development of this post-cyberpunk 6-episode OVA series. eX-Driver was an original idea Fujishima came up with where cars in the distant mid-21st Century drive themselves similar to in Minority Report, but the concept gets pretty wonky as the anime goes on.

In the future, people no longer know how to drive cars as they are all automated. However, occasional accidents happen where their systems break down leaving the car racing down the street with innocent pedestrians trapped inside. A team of specialists called eX-Drivers have their own cars that they operate manually in order to get on stop each episode's chase scene. The two main drivers are the kindhearted Lorna and the tomboy Lisa that each have their own separate vehicles. The sister act is interrupted by their newest recruit Soichi who is only 12. The conflicting egos play into the ongoing plot which shows how doomed this version of the future is when a former eX-Driver leads a gang of fast and furious wannabes bent only on causing chaos simply for the hell of it.

The problem with creating a science-fiction story set in the future is predicting how technology will develop over time where 90s movies like Johnny Mnemonic had no insight on how computers could change, so making an anime in the early 2000s about how mankind might be naive enough to let surrender all control over to malfunctioning AI. eX-Driver was Fujishima's attempt at trying to follow his own possible phobia ourselves to give in fully to an automated society. The writing is abundant with character jealousies and fan service scattered throughout Fujishima's writing that does play too much into anime stereotypes. The OVA series was 2-episodes longer than the You're Under Arrest OVA, but the difference between the two titles is that one was set in a believable slice-of-life comedy where eX-Driver was expanded with a weak grasp on a more idealistic future.

ANI-MOVIES, *Okko's Inn

Okko's Inn was a kid's novel series by Hiroko Reijō that ran throughout the early 21st Century. It was popular enough to get its own girls manga, and in the summer of 2018 received the rare opportunity to have a simultaneously released anime TV and movie premiere. The TV series adaptation was stretched out into 24 episodes, but the movie got its release halfway during the series run, so it allowed viewers to pick which version they wanted. The movie is not a compilation film using footage from the TV anime, and both were animated by Studio Madhouse, so the main difference in quality is divided between theatrical quality and a weekly anime series. So far, only the anime movie has gotten an English release through GKids, making it the primary source to investigating.

A young girl nicknamed Okko has her parents killed in an auto accident, and now she lives with her surviving grandmother in her hot spring inn. Okko is surprised to find her new home is inhabited by Uribo, a boy ghost that had been watching over Okko's granny since they were both young, but the annoying kid is able to communicate with her since he saved her life in the same accident that took her parents. Okko also gets visited by the dead older sister of a neighboring rival innkeeper, along with a bell demon that was sealed up in a box who ends up nabbing most of her desserts. Throughout the movie run, you can see Okko being introduced to new characters like fortune tellers that leave an impact on her hidden coping with the loss in her life, and how she is gaining a new family with her grandma and new ghost friends. The supernatural angle does take a decided absence from the plot when Okko encounters the family that caused her original accident, so its paranormal elements get used more as a plot motivator instead of being the main drive of the film.

You can tell that Madhouse felt the need to compartmentalize the movie adaptation into a series of various segments where as the TV series was more freedom to stretch the story out over an entire show. On its own, Okko's Inn is a family-friendly feature that introduces children to the concept of letting go of their pasts while making plans for the future of themselves and family.

ANI-MOVIES, *The Black Cauldron

Prior to their second renaissance, 80s were a troubling time for Disney Studios. For their 25th theatrical animation, it was decided to give into the high fantasy wave that hit pop culture at the time with the works of Tolkien, or Dungeons and Dragons. Lloyd Alexander had a written a series titled The Chronicles Of Prydain aimed at showing morals to children, but without all the religious implications that the Narnia books were going for, and Disney decided to combine the first two volumes into a singular plot. The Black Cauldron was released after Don Bluth had already left Disney, even though you can still point out numerous hints of influence on the studios remaining animators. This was the first Disney cartoon movie to get a PG rating due to its dark imagery which just managed to escape the Satanic Panic of the 80s. The original story is inspired by Welsh mythology, namely the collected tome called The Mabinogion.

Set in the mystical land of Prydain, a skeletal sorcerer known as the Horned King sends his forces looking for an enchanted cauldron which would allow him to raise an undead army of darkness. Taran is a glory hungry teenager hoping to be a hero but is instead given the task to care for an oracular pig that could show the Horned King the cauldron's location. He and his pig are captured, but Taran manages to get his fortune telling pet away while he escapes with a captured princess, a lying bard, and a small furry creature known as Gurgi. Our heroes now have to trek to a forbidden land of witches in order to get to the cauldron before the Horned King, although in order to destroy the cursed object it requires a living sacrifice.

Aside from being the first Disney movie to use CGI as part of its animated feature, The Black Cauldron was still crafter under traditional Disney formula. The main distraction for most Disney fans would be that there are no musical numbers in it, although Elmer Bernstein offers a memorable score especially if you appreciated his prior efforts in The Magnificent Seven and Ghostbusters. The casting is also delightful with John Hurt as the haunting Horn King, and the opening narration by the prior animated Gandalf, John Huston. Much of the elements of this went into inspiring Disney's Gummy Bears series, but with less gore and zombies. The movie is finally available through special order Disney Blu-Ray, so be sure to watch it in its full visual glory.

MISC. MANGA, *Barefoot Gen

I Saw It which was the first manga to get a genuine American release. It was printed through Educomics which normally publishes educational underground comics. It was an accounting of author Keiji Nakazawa's life in Japan during World War II, and this one-shot was later expanded into the ongoing expanded storyline, Gen Of Hiroshima, which was later reprinted in full through publishers New Society Publishers and Last Gasp under the title Barefoot Gen. The manga ran from 1973-87 and was the basis for a live-action movie trilogy, a live-action mini-series, and two anime movies, but its more infamous for its historical significance and realistic account of war atrocities.

Set in Hiroshima during WWWII, life for the common citizens was perilous, and poor boy Gen struggles along with the rest of his family as they are having to surrender so much of their lives to the Japanese government. Gen's father Daikichi is branded a traitor after getting kicked out of the people's volunteer soldiers, and his actions get his family split despite his pregnant mother given birth to his baby sister Tomoko. Their situation becomes even sadder when Hiroshima is bombed by the American forces, how the war ends, and Japan's surrender to the outside world.

Barefoot Gen is of course noted for providing the point of view of war from the nation launching it in the first place and how it affects that country's citizens. Nakazawa's perspective on how these tragic events left its toll on his life are reflected better in the writing than in the slightly more cartoonish-looking artwork. The manga doesn't hide the horrors of war, so make sure to keep that in mind if you plan to delve into this real-life catastrophe.

ANI-MOVIES, *Leap!

Originally titled Ballerina, Leap! was a joint production between Canadian and French animators. This somewhat historically inaccurate children's tale had first a French language release, and then with some of the cast being used for the American dub.

Set in France during the mid-1880s, Felicie and Victor are orphans who escape their orphanage in the countryside to live in Paris. Felicie is a spunky girl wanting to join the ballet company of the Paris Opera and manages to get a spot after pretending to be the daughter of a snooty debutante. Felicie is taken in by the kindly Oddette, a cleaning woman who was a former ballerina after crippling her leg and teaches her everything she knows in a series of Karate Kid-inspired montages as her student who tries to get a part in the upcoming performance of The Nutcracker. There are some standard cliches like a liar-reveal, a love triangle, a bitter rivalry, but all this gets pulled to the side as Felicie's biggest challenge is escaping the snooty debutante who chases her up the Statue of Liberty still under construction.

Leap! is a fun diversion on a lazy afternoon with your children, although your mileage may vary depending on which dubs of it you hear, as there are at least two English dubs circulating on streaming, one of which has different dialogue in various scenes. The modern music used for the 19th Century backdrop also has trouble fitting in despite its classy dance numbers. The animation quality is also in flux between uncanny valley realism and cartoonish mannerisms, even though the backgrounds are stunning.