Roald Dahl has left a long legacy in children’s literature. Many of his works have been turned into movies, including: Charlie And The Chocolate Factory/Willy Wonka And The Chocolate Factory, The Witches, plus James And The Giant Peach. Revered director Wes Anderson went an extra step further for making this film the first fully-animated adaptation of one of Dahl’s books.
Set in the British countryside(even though most of the cast has American accents!), Mr. Fox has to give up his life of stealing from farmers to start up a family with Mrs. Fox. A few fox years into it, their son Ash is going through his akward teenage phase while resenting having his cousin Kristofferson moving in on his territory at school. Mr. Fox decides though to move his family into a new place, while at the same time planning heists on the three local major farms with his new landlord possum, Kylie. After somewhat successfully strealing from them, the ex-Nazi owner of the cider ranch that Fox stole from plans to go WWII on his ass by attacking his new home. After he and the other two farmers run them out, the Fox family heads for the sewers along with the rest of most of the forest critters. The animals then dig under the farms and totally wipe out their stock. The farmers retaliate by flooding them out into the sewers, and eventually capture Kristofferson thinking that he’s Ash. Fox then leads a rescue mission to get Kristofferson back with Ash and Kylie. The Fox family then make a new home underneath a supermarket which happens to be owned by all the farmers.
This movie mixed stop-motion animation with computer effects pretty well, especially since it was done by Henry Selick, whose wizardry includes his own movie Coraline, and The Nightmare Before Christmas. Selick also worked on the animation for Anderson’s The Life Aquatic. I was very suprised with the detail given to the animals’ fur and expressions. There are times when the characters seem slightly out of place, like the 4ft. rat that worked for the farmers. Plus, they never explain why the regular forest animals wear clothes and can talk, while the other animals like bloodhounds and wolves are just regular animals. I was suprised though at how much good criticism this film got, especially from critics who aren’t normally fans of animation. I thought it was in all a good movie overall, although not as funny as it could have been at times. Despite its charm, its not totally a movie for the entire family, but is truly one for the ages, and I have to say I’m impressed with its look at old fashion style for a modern day production.
Wednesday, September 12, 2012
Tuesday, September 11, 2012
ANI-MOVIES, *Batman: Sub-Zero
Also called Batman & Mr. Freeze: SubZero, this was the second full-length animated movie of the Darknight Detective, although, this was the first one to be specifically made-for-video. It was meant to draw attention to the Batman franchise enough to coincide with the appauling Batman & Robin live-action movie, although most people were suprised at how much better this film was from that one.
The story takes place after Season 3 of Batman: The Animated Series, but sometime prior to when Dick Grayson left to become Nightwing. Mr. Freeze has been hanging out in the North Pole with his trained polar bears, and his wife Nora has been “chilling” inside the same oversized snowglobe until Freeze can find a cure for her. Unfortunately, an arctic exploration crew crashes his pad, causing Nora to relapse into her disease. Making his way to Gotham, Freeze abducts Belson, an old medical colleague who is desperate to make some quick money to pay off some debts. Freeze offers him a gold deposit to help him save Nora. They look for an compatible donor to replace one of Nora’s organs that was damaged(which one is never said), and their search leads them to Barbara Gordon. After kicking some ass as Batgirl, Barbara goes out with Dick on what looks like the beginning of their romance. Freeze breaks up their date, and kidnaps Barbara. Dick and Bruce head to the Batpoles and locate where Barbara is being held, which is at an offshore oil rig. Barbara manages to get away, but Belson accidently starts a fire. Nora gets trapped underneath in the fire, so Mr. Freeze helps Batman and Robin get her out of the burning wreck, although Freeze seemingly doesn’t make it out. Although the movie concludes with Freeze back in the Arctic conveniently making it to an outpost station to see the CNN report that Nora recovered thanks to Bruce Wayne’s big wallet.
Of the three original Batman: TAS animated movies, this one probably has the weaker plot to it. I don’t mind them bringing back Mr. Freeze, although you would’ve had to see the prior episodes of the series to get his backstory which is pretty essential for watching this movie. There also is an absence of the Batman Family doing much any real “crime-fighting” in this, aside from a scene at the beginning where the Dynamic Duo make a real thing about stopping a couple of crooks when they could’ve taken them out easily. It’s also a little disappointing when we catch up with Freeze again in Season 4 of the TV series where he returns again as an emo psychopath because he’s then just a head on a robot spider-legs(BTW, Freeze’s suit was originally designed by Mike Mignola of Hellboy fame). I’d say that your average Bat-Fan would like this, but only if they had the TV series boxset to go with it.
The story takes place after Season 3 of Batman: The Animated Series, but sometime prior to when Dick Grayson left to become Nightwing. Mr. Freeze has been hanging out in the North Pole with his trained polar bears, and his wife Nora has been “chilling” inside the same oversized snowglobe until Freeze can find a cure for her. Unfortunately, an arctic exploration crew crashes his pad, causing Nora to relapse into her disease. Making his way to Gotham, Freeze abducts Belson, an old medical colleague who is desperate to make some quick money to pay off some debts. Freeze offers him a gold deposit to help him save Nora. They look for an compatible donor to replace one of Nora’s organs that was damaged(which one is never said), and their search leads them to Barbara Gordon. After kicking some ass as Batgirl, Barbara goes out with Dick on what looks like the beginning of their romance. Freeze breaks up their date, and kidnaps Barbara. Dick and Bruce head to the Batpoles and locate where Barbara is being held, which is at an offshore oil rig. Barbara manages to get away, but Belson accidently starts a fire. Nora gets trapped underneath in the fire, so Mr. Freeze helps Batman and Robin get her out of the burning wreck, although Freeze seemingly doesn’t make it out. Although the movie concludes with Freeze back in the Arctic conveniently making it to an outpost station to see the CNN report that Nora recovered thanks to Bruce Wayne’s big wallet.
Of the three original Batman: TAS animated movies, this one probably has the weaker plot to it. I don’t mind them bringing back Mr. Freeze, although you would’ve had to see the prior episodes of the series to get his backstory which is pretty essential for watching this movie. There also is an absence of the Batman Family doing much any real “crime-fighting” in this, aside from a scene at the beginning where the Dynamic Duo make a real thing about stopping a couple of crooks when they could’ve taken them out easily. It’s also a little disappointing when we catch up with Freeze again in Season 4 of the TV series where he returns again as an emo psychopath because he’s then just a head on a robot spider-legs(BTW, Freeze’s suit was originally designed by Mike Mignola of Hellboy fame). I’d say that your average Bat-Fan would like this, but only if they had the TV series boxset to go with it.
Monday, September 10, 2012
ANI-MOVIES, *Cloudy With A Chance Of Meatballs
With the prior success of Open Season and Surfs Up scoring them some points in theatres, Sony Pictures Animation followed up with a movie based on the children’s story from the 1970s by Judi & Ron Barrett. This relatively short book was concieved into being a full-length motion picture by Chris Miller and Phil Lord, who created the cult MTV animated series, Clone High.
Set on a small island off the American east coast, Flint Lockwood is a tinkerer who has spent a good portion of his life coming up with invention-after-invention, all of which have failed, including his spray-on shoes which have never come off since he put tested them on himself as a kid. His father wants him to help around his tackle shop, but Flint tries one more take at achieving his dream of being a great inventor. He makes a machine that is supposed to transform water into any kind of desired food, but he ends up accidently sending it into the atmosphere which starts turning the moisture in the air into random food. Flint manages to set up a way of controlling the machine so that he can make it rain whatever food the townspeople want. The greedy mayor convinces him to help use this as a tourist attraction for the town, but Flint mainly wants to do this to impress Sam, the cute weather reporter from New York reporting on the falling food phenomenon. He even goes to the lengths of making an entire castle made of jello to win her over. Unfortunately, the machine goes haywire, and starts dropping giant entries all over the globe. Flint and Sam, along with their mistmatched crew, head off in Flint’s jet car(which now has wings!)into the eye of the food-storm, and manage to stop the machine before the entire world is covered in takeout, even though everyone in the town has to escape on pizza-boats.
I’ll was really impressed with the animation in this. What really bought it for me was the cartoonish look of the characters and the world they lived in, while keeping it very detailed and slightly realistic. The movie goes the extra step to ellaborate from the original source material of how the small town started having it rain food. It pays homage to alot of disaster flicks, and this shows with the hilarious scenes of entire cities being ravaged by falling giant pancakes. There are some intensely funny moments in this, and I loved all the running gags with Flint’s failed former experiments. It’s a clever comedy for the whole family, and any film that has both Bruce Campbell and Mr. T in it is a solid win!
Set on a small island off the American east coast, Flint Lockwood is a tinkerer who has spent a good portion of his life coming up with invention-after-invention, all of which have failed, including his spray-on shoes which have never come off since he put tested them on himself as a kid. His father wants him to help around his tackle shop, but Flint tries one more take at achieving his dream of being a great inventor. He makes a machine that is supposed to transform water into any kind of desired food, but he ends up accidently sending it into the atmosphere which starts turning the moisture in the air into random food. Flint manages to set up a way of controlling the machine so that he can make it rain whatever food the townspeople want. The greedy mayor convinces him to help use this as a tourist attraction for the town, but Flint mainly wants to do this to impress Sam, the cute weather reporter from New York reporting on the falling food phenomenon. He even goes to the lengths of making an entire castle made of jello to win her over. Unfortunately, the machine goes haywire, and starts dropping giant entries all over the globe. Flint and Sam, along with their mistmatched crew, head off in Flint’s jet car(which now has wings!)into the eye of the food-storm, and manage to stop the machine before the entire world is covered in takeout, even though everyone in the town has to escape on pizza-boats.
I’ll was really impressed with the animation in this. What really bought it for me was the cartoonish look of the characters and the world they lived in, while keeping it very detailed and slightly realistic. The movie goes the extra step to ellaborate from the original source material of how the small town started having it rain food. It pays homage to alot of disaster flicks, and this shows with the hilarious scenes of entire cities being ravaged by falling giant pancakes. There are some intensely funny moments in this, and I loved all the running gags with Flint’s failed former experiments. It’s a clever comedy for the whole family, and any film that has both Bruce Campbell and Mr. T in it is a solid win!
Saturday, September 8, 2012
Top 10 Green-Skinned Girls
10. LYJA from Fantastic Four
9. BENNY from Looking For Group
8. GAMORA from Marvel Comics
7. SHEGO from Kim Possible
6. OOLA from Star Wars
5. POISON IVY from Batman
3. JADE from Green Lantern
2. SHE-HULK from Incredible Hulk
1. MARTA from Star Trek
ANI-MOVIE, *The Animatrix
While anime-styled productions like Dark Fury, Batman: Gotham Knight, and Van Helsing: The London Assignment try to act as tie-ins to existing movie franchises, The Animatrix was one of the first of these types of animated films. Originally an online series (or “ONA”), this was a compilation of nine episodes, all dealing with seperate aspects of The Matrix trilogy. Four of these episodes premiered online, while the rest of them were first featured on the video release of the complete movie.
The first story, Final Flight Of The Osiris, was animated by Square Pictures, who also did Final Fantasy: The Spirits Within. This acts as a direct prelude to The Matrix Reloaded where the human crew of the hovercraft Osiris discover that the machine army is drilling directly into the underground city of Zion, so they send their Aeon Flux-wannabe into the Matrix to deliver this news to the humans. Unfortunately, the machines down the ship, and everyone buys it in the end. This had some pretty decent CGI in it, although it seems mostly dated by today’s standards. It also leads into the Enter The Matrix video game.
Following this is a 2-part story which actually gives a comprehensive history of how the world was eventually taken over by the machines. In The Second Renaissance, Mahiro Madea of Kill Bill fame animated this ellaborate retelling of mankind’s downfall from the perspectrive of the Zion computer archives that is represented as a goddess figure called The Instructor. She relays how the human race had created robots to do all their work, but they eventually rebelled. The machines start up their own city, which the humans weirdly enough open up trades with, although this sends the human economy into the sewers. The humans then decide to go to all out war with the machines by blocking out the sun, their main source of power. Of course, the machines eventually win, and begin to harvest the human minds. This origin is not totally compatible with the regular Matrix story as it was stated in the first movie that the entire history was sketchy due to the humans’ lack of information on it. This is possibly an idealized version of what was supposed to have happened based on what the future Zionites thought it would be.
Next is Kid’s Story where we’re introduced to the Kid(yep, he’s got no real name!), who was that annoying teenager who kept stalking Neo in Reloaded, and how he freed himself from the Matrix. This was directed by Shinichiro Watanabe of Cowboy Bebop. World Record(by Ninja Scroll‘s Yoshiaki Kawajiri)follows this same premise about an athlete who almost breaks free of the illusion of the Matrix. Kawajiri also directed the Program segment which is unfortunately the shortest one in the whole movie about a girl training in one of the humans’ VR sims which is modeled after feudal Japan, and is nearly taken out by what she is led to believe as a defector to the machines. This part features some very dynamic action, which make you wich that Kawajiri would do another full-length ninja/samurai movie.
After this is Beyond(by Koji Morimoto of Memories)where some kids find a glitch in the Matrix which they think is a haunted house. Next is A Detective’s Story where a private eye in the Matrix is hired by Agents to hunt down Trinity. Shinichiro Watanabe takes his knack for genre films and applies it beautifully to this noir piece.
Finally, is Matriculated by Aeon Flux creator Peter Cheung, where some humans working above-ground to capture robots and try to win them over to their side by using surrealistic VR, although they all end up getting killed off by other robots. This is the longest bit in the anthology, and is well executed, but at the same time gets too bogged down with the entire dreamlike sim used on the robot.
The Animatrix represented a major change in the way American animated media was handled, by having it branch out to different media like anime. On its own, it blazes alot of trails, and is worth viewing at least for seeing the eclectic views based on a similar theme. A better example of this would be Robot Carnival which is not currently available in America. Granted, this is a must for anyone who actually dug all three Matrix films, and is available in most of the collected editions of the trilogy.
The first story, Final Flight Of The Osiris, was animated by Square Pictures, who also did Final Fantasy: The Spirits Within. This acts as a direct prelude to The Matrix Reloaded where the human crew of the hovercraft Osiris discover that the machine army is drilling directly into the underground city of Zion, so they send their Aeon Flux-wannabe into the Matrix to deliver this news to the humans. Unfortunately, the machines down the ship, and everyone buys it in the end. This had some pretty decent CGI in it, although it seems mostly dated by today’s standards. It also leads into the Enter The Matrix video game.
Following this is a 2-part story which actually gives a comprehensive history of how the world was eventually taken over by the machines. In The Second Renaissance, Mahiro Madea of Kill Bill fame animated this ellaborate retelling of mankind’s downfall from the perspectrive of the Zion computer archives that is represented as a goddess figure called The Instructor. She relays how the human race had created robots to do all their work, but they eventually rebelled. The machines start up their own city, which the humans weirdly enough open up trades with, although this sends the human economy into the sewers. The humans then decide to go to all out war with the machines by blocking out the sun, their main source of power. Of course, the machines eventually win, and begin to harvest the human minds. This origin is not totally compatible with the regular Matrix story as it was stated in the first movie that the entire history was sketchy due to the humans’ lack of information on it. This is possibly an idealized version of what was supposed to have happened based on what the future Zionites thought it would be.
Next is Kid’s Story where we’re introduced to the Kid(yep, he’s got no real name!), who was that annoying teenager who kept stalking Neo in Reloaded, and how he freed himself from the Matrix. This was directed by Shinichiro Watanabe of Cowboy Bebop. World Record(by Ninja Scroll‘s Yoshiaki Kawajiri)follows this same premise about an athlete who almost breaks free of the illusion of the Matrix. Kawajiri also directed the Program segment which is unfortunately the shortest one in the whole movie about a girl training in one of the humans’ VR sims which is modeled after feudal Japan, and is nearly taken out by what she is led to believe as a defector to the machines. This part features some very dynamic action, which make you wich that Kawajiri would do another full-length ninja/samurai movie.
After this is Beyond(by Koji Morimoto of Memories)where some kids find a glitch in the Matrix which they think is a haunted house. Next is A Detective’s Story where a private eye in the Matrix is hired by Agents to hunt down Trinity. Shinichiro Watanabe takes his knack for genre films and applies it beautifully to this noir piece.
Finally, is Matriculated by Aeon Flux creator Peter Cheung, where some humans working above-ground to capture robots and try to win them over to their side by using surrealistic VR, although they all end up getting killed off by other robots. This is the longest bit in the anthology, and is well executed, but at the same time gets too bogged down with the entire dreamlike sim used on the robot.
The Animatrix represented a major change in the way American animated media was handled, by having it branch out to different media like anime. On its own, it blazes alot of trails, and is worth viewing at least for seeing the eclectic views based on a similar theme. A better example of this would be Robot Carnival which is not currently available in America. Granted, this is a must for anyone who actually dug all three Matrix films, and is available in most of the collected editions of the trilogy.
Tuesday, September 4, 2012
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